摇摆于纪录片和真实电影之中retraces a journey from the end of summer to deepest winter, from East Germany, across Poland and the Baltics, to Moscow. It is a voyage Chantal Akerman wanted to make shortly after the collapse of the Soviet bloc, “before it was too late,” reconstructing her impressions in the manner of a documentary on the border of fiction. By filming “everything that touched me,” Akerman sifts through and fixes upon sounds and images as she follows the thread of this subjective crossing. Unfolding without dialogue or commentary, FROM THE EAST takes the form of a cinematic elegy.
麦麦太会演了也许是有点relatable随着片尾的弦乐眼泪一起落下来我爱这克制的情感表述琐碎的时间线镜头中总会出现的一点橙或红懦弱未熟、渣的典型的、社会结构牺牲品的、好看的过分的贵公子高良君忘羡打开宫腔灌注3天可以随时互换的自卑自负低下又昂起的头颅点到为止的苦完美的像经典旧梦的开局被戳破而颠落的中场和隔着时间人群碰撞的视线迎来的戛然而止又余味悠长的结尾女孩啊总有很多希望和很多失望但请always stay true to yourself然后永远拥抱那个能说真话的朋友